We design homes and small workplaces around light, storage and the way a family actually moves through a flat — then detail them properly and stay until the last handle is on.
We are a small studio and we take a small number of projects a year. Every one is drawn properly, costed openly, and detailed to the millimetre before a single carpenter is called.
Layout, joinery, lighting, finishes and furniture for apartments and row houses. Drawings, a materials board and a costed schedule you can hold a contractor to.
Older flats where the plan no longer suits the family. We work with what is structural, move what is not, and are honest about which is which.
Studios, clinics and offices under 4,000 sq ft. Acoustics, light and storage first; branding and the nice chairs after.
For clients with their own contractor. You get the full drawing set, specifications and material list, and we stay on call through the build.
A studio portfolio should be small enough to defend line by line. These six are.
Three small rooms opened into one long living space, with all storage pushed to a single wall so the sea does the talking.
A 620 sq ft one-bed where nearly every wall is storage. Oak veneer, brass pulls, and not one visible box.
Long shared benches, acoustic baffles overhead, and a phone room that people actually use because it isn't a cupboard.
One room, one long table, and a lime-plaster wall that changes colour four times between lunch and dinner.
Four consulting rooms in a heritage building. Soft green joinery, warm 2700K light, and a waiting area with a window seat.
A single colour taken across walls, ceiling and joinery, so that everything else in the room disappears politely.
Not a house style — a shortlist of things that age well in Mumbai humidity and still look right after five monsoons.
Each stage ends with something you can hold — a drawing, a board, a schedule. Nothing moves forward until you have signed off on the last one.
A long conversation in your actual flat. How you cook, who wakes first, what you own and what you would happily lose.
Two or three plan options, drawn to scale. We walk you through the trade-offs of each before you choose.
Elevations, a materials board and lighting layout. This is where the room stops being an idea and starts being a set of decisions.
Working drawings, joinery sections and a specification a contractor can price without guessing. Costs are shared openly.
Regular site visits, snag lists and the last-mile decisions nobody enjoys. We stay until the handles are on.
Everyone who draws your project also visits your site. There is no separate delivery team and no handover email.
Trained in architecture, practising interiors for nine years. Draws every layout option herself.
Runs the working-drawing set and the joinery sections. The reason the carpenters stop calling with questions.
Handles vendors, lead times and the weekly site visit. Keeps the schedule honest.
A first conversation costs nothing and usually takes half an hour. Bring a floor plan if you have one; a photo of the front door works too.
Illustrative project details for a fictional studio — not an offer, quotation or real fee scale.